With Forests in Our Mouths

Working together as the Queer multidisciplinary performance collective ONCE WE WERE ISLANDS, we will create and present the project With Forests in Our Mouths: Speaking Queer Utopias into Being. We will bring together live performance, filmworks, sound installation and publication to explore multiple visions of Queer utopias. We will use Queer biography, speculative fiction, and auto-ethnography as the raw material for this two-year project.

With Forests in Our Mouths is a ‘constellation artwork’ and each chapter offers an entry into the artistic enquiry of the overall work. It can be accessed in various times and places and in various different combinations. Audiences are given space to overlay their own interpretations and to make their own connections.

The stories we will tell are Queer myths brought back from a place that exists outside of time and place — a forested planet, ghosts from utopias of the past, journeys through time and space, sex and starships, strange grammar. We ask: What if Queer people had brand new words to speak with? What if we had a place that we could truly call home?

The project is an urgent attempt to imagine kinder, more accessible, and more sustainable futures where Queer bodies can thrive; it is an artistic attempt to answer the question: Where do we go from here?; and it represents a radical reimagining of our working practices, freed from the limitations and demands of the boom-bust cycle of short-term funding models.

For With Forests in Our Mouths we will be based in our rural home and studio in Outokumpu, North Karelia, with research trips, residencies, and public sharings taking place in locations locally, across Finland, and internationally.


Project bibliography
Article: What is a Constellation Artwork?
Monthly Postcards






With Forests in Our Mouths is a ONCE WE WERE ISLANDS production, supported in 2024 and 2025 by the Kone Foundation, and part of the Metsän puolella community of arts and research projects. Also kindly supported by Titanik, Silence Residency, TUO TUO Residency, Kaivos-festivaali, Theater neben dem Turm, Ballhaus Ost, Finnland-Institut in Berlin, Lou Gallery.

Additional thanks to: Arnita Jaunsubrena, Kristin Gerwien and the team at Theater neben dem Turm; Karita Tikka, Joonas Martikainen and the team at Hiljaisuus Festivalli; Katariina Vähäkallio and the team from Kaivos Festivaali, Juha Hirvonen, Pasi Räsämäki and the team from Riveria; the team from the Old Mine; the team from Ballhaus Ost; Mirjami Schuppert and the team at the Finnland-Institut; the poets of Helialá; Olivia Basterfield; Jennifer Bell; Abby Boak; Esther Boles; Niklas Ekholm; Amber Fasquelle; Ethan Folk; Kit Gee; Óscar González; Mmakgosi Kgabi; Inky Lee; Tuuli Haapanen; Debi Kuisma; Ida Loukkaanhuhta; Vaski Ylhäinen; Anna Matveinen; Taylor Mac, Machine Dazzle, and Pomegranate Arts; Anu Pasanen; André Uerba; Jean P’ark; Tom Oldham; Toria Banks; Dominique Hurth; Elena Polzer & Fedor Herrmann; Juliana Irene Smith & Arvid van der Rijt; Remi Vesala; Esko Vihava.





ONCE WE WERE ISLANDS is a Queer art collective. We are Chris Gylee and Aslan and we have been living our lives together and making artwork together for more than a decade. Our practice is multidisciplinary with a strong emphasis on writing and live performance and involves elements of publication, installation, and curation. Our work to date has taken us on a journey to understand how art maps out unexpected futures and shines a light on less commonly told stories, thereby helping us imagine different and new ways of being in the world. It has become our passion to imagine and transmit stories of Queer futures and Queer ruralities that help us understand how the world is, how it got that way, and how it could be different. Our artworks are maps to Utopias, Dystopias, Dreamworlds and Dark Fantasies. Each of these quantum realities teaches us what it can mean to be Queer in the world and is a loving act of recording, recreating, and reimagining a Queer history and heritage that is constantly being erased by dominant culture.

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